Line Array Sound System
Hangs from a truss and throws even coverage to the last row of a hall or an open field. We rig it for concerts, big conferences and outdoor shows where ordinary speakers fade halfway back.
Rigs are planned around your venue, installed a day early where access allows, and tested before your first guest walks in.
Indoor and outdoor LED panels, projectors and screens, video switching, and camera feeds cut live to the wall.
Line array hangs, moving heads and truss rigs, mixed live by engineers who have run the same rooms before.
A programme stands or falls on what the audience can hear and see. That is the part we take over. Sound, screens, stage light, staging and the people who run them arrive as one package, so your schedule keeps its shape from the welcome note to the last vote of thanks.
No two venues in Delhi behave the same way. A 300-seat banquet hall, a room with a low false ceiling, an open lawn with traffic noise on one side, a college auditorium with hard walls, each one needs different speaker angles, screen pitch and power planning. We walk the space before quoting, then build the rig around it.
You can rent a single wireless mic for a small function, or hand us a convention with four halls running at the same time. In between sit the jobs we do most weeks: annual days, dealer meets, product launches, wedding receptions, exhibitions, college fests, award nights and open-air concerts.
Delivery, installation, sound check, live operation and removal are all part of the rental. Backup units travel with anything that cannot be allowed to fail, and spares for cables, connectors and batteries stay at the desk. If a channel drops in the middle of a panel discussion, the engineer who patches it back in is ours, and he already knows the setup.
Most of our bookings come from repeat clients and referrals: corporate houses, event agencies, wedding planners, exhibition organisers and colleges across Delhi NCR. Outstation work runs on the same model, with equipment travelling ahead and local hands joining on site.
Everything listed here is owned and maintained in-house, tested before it leaves the warehouse, and run by technicians who work with the same gear week after week. Pick a category to see what we keep on the shelf.
Hangs from a truss and throws even coverage to the last row of a hall or an open field. We rig it for concerts, big conferences and outdoor shows where ordinary speakers fade halfway back.
Point-source cabinets for mid-size halls, banquet rooms and exhibition stalls. Clean speech, steady music playback and enough headroom for a live band.
Bass bins that add weight to DJ sets, live gigs and dance floors without turning the mix muddy.
Condenser and dynamic mics for studio recordings, podcasts, voiceovers and shoot days.
Handheld and bodypack systems with spares charged and sitting ready at the desk.
Lapel mics for anchor panels, keynote speakers and hosts who need both hands free.
Controller and CDJ setups with mixer, monitors and a standby player for sangeet nights and after-parties.
Digital desks with scene recall for multi-speaker programmes, and analog boards for straightforward gigs.
Power amps matched to the speaker load, with a spare channel already patched and waiting.
Announcement and speech reinforcement for schools, societies, sports days and public addresses.
Delegate discussion units, chairman console and recording output for boardrooms and AGMs.
Indoor and outdoor panels. Finer pitch for ballrooms and boardrooms where guests sit close, coarser pitch for stages and long viewing distances.
Fast-fold and tripod screens from 6 ft to 20 ft, in both 4:3 and 16:9.
Daylight-readable 1080p units for presentations, film screenings and breakout rooms.
Native 4K for launch films, product reveals and anything where fine detail carries the message.
Lamp-free laser units that hold their brightness through a long day and need no warm-up time.
Multi-input switchers with preview, for programmes that mix slides, video clips and live camera feeds.
Camera feeds cut live to the screen, with name keys, lower thirds and playback handled at the desk.
Broadcast-style cameras on tripods for recording, webcast and in-hall relay.
Three to six camera crews with operators, talkback and a director calling the cut.
Beam, spot and wash heads for stage looks that change with the song instead of fighting it.
Workhorse cans for stage washes, backdrop colour and general area lighting.
Low-heat, low-power colour washes for indoor stages, banquets and exhibition halls.
Tight follow-style spots for award winners, speakers and solo performers.
Full stage washes with dimming and cue stacks for theatre, dance and cultural programmes.
Larger rigs with beams, strobes and blinders, built for high-energy sets.
Fairy strings, festoons, uplighters and lanterns for weddings, receptions and festive décor.
Pattern and beam lasers programmed to the soundtrack and operated within safe limits.
High-intensity beam fixtures for sharp aerial effects over a dance floor or arena.
Fixtures mounted directly on the truss structure for even coverage across a wide stage.
Aluminium box and ladder truss for rigging lights, sound and banners safely overhead.
Heavy-duty sections for long spans, goalposts and exhibition structures.
Freestanding goalpost frames for halls that give you nothing to hang from.
Acoustic panels and isolation treatment for halls where sound carries into neighbouring rooms.
Even backdrop illumination so photographs, video and LED walls read cleanly behind the stage.
Crane arms for sweeping shots across a hall, a ramp or a stadium.
Portable jib for smooth rises and reveals on a wedding or launch stage.
Audio engineers, lighting programmers, video operators, camera persons and stage hands.
Distribution boards, cabling and earthing planned around the supply your venue can actually give.
Cryo jets for a hard-hitting drop or a grand reveal on the main stage.
Indoor-safe cold spark fountains for entries, award moments and cake cutting.
Low-lying or general smoke for atmosphere and for making light beams visible.
Fine haze that lifts the beams into view without fogging up the room.
Confetti cannons timed to the final announcement or the first dance.
Sparkular units that throw real-looking sparks with no flame, no heat and no smoke.
A corporate conference and a college fest do not need the same rig. Here is how we approach the work we get asked for most.
Speech-first audio, presentation switching and a clean stage look for annual days and dealer meets.
Stall LED screens, looping content players and booth audio that stays inside your boundary.
Delegate audio, timer and cue support, live camera cut to screen, and recording for the archive.
Line array hangs, monitor world for the band and a lighting rig programmed to the set list.
Trophy-cam, nominee reels and follow spots that land on the winner at the right second.
Wide LED walls, reveal lighting and a cue sequence rehearsed with your team beforehand.
Décor-matched lighting, discreet sound for the ceremony and a screen for the sangeet edits.
Fest stages, band changeovers, DJ nights and announcement systems for large campuses.
Mall and roadshow setups with screens, sound and effects that survive a full day of footfall.
Runway lighting, track-accurate sound and a clean backdrop for the walk and the shoot.
Long-throw PA for the ground, scoreboard feeds and commentary mics for the stands.
More than a thousand events in, this is what clients keep coming back for.
Speaker angles, screen pitch and light positions are worked out for your venue's size and shape, not copied from a template.
Audio engineers, lighting programmers, video operators and stage hands who work live events week after week.
Delivery a day ahead where venue access allows, a full sound and video check before doors open, and a rehearsal slot if your programme needs one.
Owned, serviced and load-tested in-house. Backup units travel with the main rig for anything that cannot be allowed to fail.
Call or message at any hour. Someone who knows your event's setup picks up, not a call centre reading a script.
A single-mic school function and a three-day convention get the same attention. Only the size of the package changes.
Delhi NCR is home ground. Rigs also travel to Mumbai, Bengaluru, Hyderabad, Pune, Chennai and Kolkata.
Insured equipment, proper rigging practice, earthing checks and crowd-safe power routing at every venue.
Tell us the date and the venue. We will tell you exactly what the rig needs.
Request a quoteStraight answers to what we are asked most often before a booking.
Send us the date, the venue and roughly what you need. You will get a written quote, not a phone call you have to chase.
Plot No.2, 1st Floor
Street No.7, A Block
West Sant Nagar, Burari
Delhi 110084
Landmark: Rani Public School
+91-9355056666102/7, Silver County Rd
Kudlu
Bengaluru, Karnataka
560068
+91-9899537060Fill in the form and it reaches our desk on WhatsApp straight away. Most quotes go out the same working day.